We wanted to tap into the energy of metal, without having the color of it since we also dipped into old formulas that unify our sound.” Re-accelerating the tempo could be the breaking point. Pantophobie had run its course, and it was time to react. “This is the great dilemma for any band: how to successfully carry a legacy from the past while renewing itself? With Fol Naïs, we consider it a success in this sense, as it’s an album that doesn’t feel like a rehash of Pantophobie. The bells of Fol Naïs sound the hour for a return to faster tempos, but not without affirming an instrumental renewal: Renowned for their “silly and bouncy” (sic) sound, Ni tried their hand at darker, heavier music on Pantophobie (2019), reflecting the period the band was going through. This symbol of impertinence couldn’t be more appropriate for this new release from the most unclassifiable of Rhône-Alpes quartets. Fol Naïs, literally “born mad” in Old French, is the name given to the fools and jesters of history’s great rulers. For anyone already familiar with Ni, the title of their third album is bound to raise a smile.
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